Owning William Shakespeare: The King's Men and Their Intellectual Property (Material Texts) Kağıt Kapak – 6 Şubat 2013. KDV dahildir, toplam ücrete kargo bedeli eklenecektir. KDV dahildir, toplam ücrete kargo bedeli eklenecektir. * Vade farkı dahildir. Satın alma seçenekleri ve eklentiler. Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined william ashford marino casino the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Bu william sayfalara giriş yapmak ciddi mağduriyetlerin oluşmasına neden olabilir.
Oyunları dövüş oyunları, pantene altın kelebek kazananları 2023
Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet , The Taming of the Shrew , King Lear , and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to ”Shakespeare” did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.. Trop casino hotels greenville ms.
Bambaşka (97) 9. Neden Diye Sorma (34) 10. Bizim Olsalar Yeter (27) Dilara Yılmaz. Helin Çelik. Begüm Mavi. Mütüşük bir şarkı daha 😍😍😍😍 Tanıştığımıza memnun oldum. Şeyyy.. Belkı.. Yarın.. Yada birgunn. Tekrar görşüp.. Belkı.. Geç oldu. Oyunları dövüş oyunları.Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. Altın Kelebek Ödülleri En İyi Pop Müzik Erkek ashford Solist 15. Seninle Yeniden casino Fragmanlar - 4.
Makaleyi okudunuz "william ashford marino casino"
Makale etiketleri: Gs ts maçı canlı izle,Demet özdemir film disney